How old is madame giry

One night, whilst working, Madame Giry hears a male voice in Box Five, which she knows to be empty. After recovering from her surprise, she learns to trust the "voice" and does odd jobs for the owner. In the novel, it is never mentioned that she knows Christine Daae. One of her little tasks is to collect the "salary" owed to the " Opera Ghost ". The Ghost instructs the managers of the Opera to hand Madame Giry an envelope containing his salary.

Madame Giry knows nothing of the envelope's content, though. She is then, by orders from the Ghost, supposed to slip the envelope back into one of the managers' dress-coat pockets from which the Ghost can steal it. There is an indication that they consider her to be the Ghost, but since the Ghost remains in the Opera Garnier after Madame Giry is removed, this is clearly an erroneous suggestion.

As they find a replacement for Madame Giry, they invite the candidate to sit in the audience. When the chandelier falls, the candidate is the only fatality. Following direct intervention by the Opera Ghost, Giry is eventually reinstated into her role as concierge. It is revealed in a meeting with the Managers of the Opera that she is working for the Opera Ghost after he left a note in Box Five stating that her daughter Meg would eventually grow up to become an Empress.

Then she is convinced to help the Opera Ghost. In Andrew Lloyd Webber 's The Phantom of the Opera , Madame Giry's role is changed to become a slightly younger woman who now works as a choreographer of the corps de ballet. She is shown holding a cane, which she uses to beat time with the music, but which she is rarely shown to use otherwise. Later in the show, she receives one of the Phantom's "Notes" in both reprises of this tune. She brings Raoul partway down a staircase, and tells him to keep going, but she did not dare go further.

This is her last appearance. Erik A young Madame Giry rescued the Phantom from a circus and hid him in the basment of the opera house. In the film, she appears to care for him as a family member. Her main contribution in the film is illuminating the location of Phantom's lair to Raoul. Unlike The Persian, however, she makes no attempt to follow Raoul to the lair.

Her daughter is a ballet dancer, and the two women appear to care for each other very much. Meg is referred to Phantom quite often as "Empress Meg". In the film, madame Giry comments that she thinks of Christine as a daughter. The film states that she took her in after her father, a famous Swedish violinist, died. Poto Wiki Explore.

Wiki Content. Explore Wikis Community Central. In the book, she claims that he is very kind, often leaving her things such as English sweets, which she is very fond of, and up to ten francs. She also says that he promised to make her daughter an empress if she did what he wanted. She started Meg on a leadership career by telling the manager to put Meg in charge of a line of dancers. Madame Giry exhibits great faith in him. In the stage version of the musical by Andrew Lloyd Webber , she knows the Ghost on a personal basis, being aware of his history to some extent.

In the film version of the musical , she rescued Erik from an abusive band of gypsies and brought him to live in the opera house. In both versions of the musical, she is the head of the ballet department, and her daughter Meg is good friends with Christine. It is she who shows Raoul de Chagny the secret entrance to Erik's lair, who warns him to "keep his hand at the level of his eyes", and who warns Joseph Buquet to stop talking of the Phantom, or to fear his wrath.

She is undeniably afraid of him at the same time.